Events
June 9, 2006
Third Annual
Cosmeceutical Conference

Strategic Research Institute
New York, NY
Senior Industry Expert, Beauty, Karen Grant, speaking
Event Web Site

June 20 - 22, 2006
Licensing 2006 International
New York, NY
Industry Analyst, Anita Frazier, speaking
Event Web Site

More
Insights Mission
NPD Insights® is a newsletter of The NPD Group, Inc. NPD Insights presents vital information on key market trends and features the NPD services, which help our clients understand, anticipate and capitalize on these trends to build their businesses.
Cover Story
Ash Dhupar Ash Dhupar

Survival of the Fittest – and Most Informed –
in the Music Business

By Russ Crupnick,
Vice President
Music & Movies

Every business struggles with how to target consumers most effectively – and the music industry is no exception. Emerging legal digital models, such as Apple’s iTunes; illegal file sharing; diversions such as DVDs, video games, Web surfing and instant messaging – are all vying for the music consumer’s attention.

These significant challenges and changes make for stiff competition for traditional retailers. A new NPD study (see chart below for some results) commissioned by the National Association of Recording Merchandisers (NARM) uncovered the ways traditional music retailers can survive and thrive, even while CDs experience declining sales. And these lessons aren’t just for the music industry – they can be applied across many of the industry sectors NPD monitors.

Know your customer
Who is your customer may be a very fundamental question, but it’s surprising how often companies don’t have a basic understanding of their core consumers. A ‘typical’ music buyer is often portrayed as a college-aged male, when in fact, 42% of CD buyers are over age 36 (the mean age of a CD buyer is 34), and 53% of buyers are women! While younger consumers are both heavier buyers and trendsetters when it comes to music, you can’t afford to ignore older consumers.

The study revealed several shopping types:

Determined Shoppers

  • Enter a store with a specific album in mind – and then buy it, often purchasing no other music
  • Keep creating demand to motivate their shopping, whether through television advertising, artist appearances on influential television shows, newspaper circulars or artist Web sites
  • Once they’re in the store, trade them up – try bundling earlier albums by the artist they came to buy or discount similar artists’ CDs

Trade-Ups

  • Go shopping to by a specific CD, but are prepared to buy more
  • The heaviest music buyers; they also purchase a lot of DVDs
  • Offer great selection, variety and a well organized music section
  • Remember, they will search discount bins, try out listening stations and turn out for visits by local artists – anything to learn about music

Basket Buyers

  • Want to buy a CD, but they’ll wait until it’s time to shop for other items
  • Juggling their love of music with spending on family needs, they are sharp shoppers sensitive to price and promotions
  •  
  • A weekly special or two-for-one deal could convince them to buy more

Wanderers

  • Love to shop, and it doesn’t matter where
  • Spend a lot on CDs and DVDs, and enjoy browsing the music section
  • Loyalty programs could get them to shop your store more often, giving you more of their overall spend
Impulse Buyers and Passersby
  • Lighter music buyers who tend to be older, female, and loyal to mass merchandisers
  • Passersby tend to stop in the music section occasionally
  • Impulse Buyers need to be roped in by an end aisle display or point-of-purchase promotion
  • Focus on artists who match their demographics and promote genres or artists hot in the local area

Back to basics
How can entertainment retailers thrive in this extreme competition? Is it all about new and exciting retailing models that offer coffee bars, in-store burning kiosks, and listening stations where customers can hear anything in the store? Maybe. But it’s more likely about good, old-fashioned retailing. The NPD-NARM study showed both the heaviest CD buyers and occasional CD purchasers want the same things: a broad selection; in-stock, well-organized merchandise and fast check-out.
It’s a lesson for all retailers: unique and compelling positioning can get you noticed, but basic retailing values will keep your customers satisfied.

Be nimble, be quick
The music retail landscape is changing quickly. Consumers are choosing to shop in many more places, and their loyalty to particular retailers and channels is no longer guaranteed. This pressures the pure-play entertainment retailers, as the big box format lets consumers economize on shopping time. Find ways to help them sort through myriad product, channel and retailer options – and steer them to your brand or store. Consider this approach: determine which shoppers you should prize, and then strategize to build loyalty and increase register rings.

Give them what they want
It doesn’t matter what you sell – it’s how you sell it. The NPD-NARM study reinforces the importance of three key retailing tenets that can make all the difference to your bottom line:

  • Know your customers
  • Identify what’s important to them when they shop – and give it to them
  • Examine the different kinds of shoppers to determine which ones you want to target, and then maximize their value

Surviving and thriving in today’s complex and changing music marketplace is possible – if you focus on what consumers want. And that goes for the other industry sectors NPD monitors, too.

COPYRIGHT NOTICE: Copyright The NPD Group, Inc. 2006. All rights reserved.
Contents may not be reproduced in whole or in part without permission from The NPD Group, Inc.

TRADEMARKS NOTICE:

The following names and terms which may be used in this newsletter are registered trademarks or service marks of The NPD Group: Aftermarket Industry Monitor, BeautyTrends , CREST, FragranceTrack, National Eating Trends, NET, npd.com, NPD Insights, SalesTrac Weekly, Solution Folders, NPD Sports Tracking Europe.